nick gifford
 flesh and blood: a little piece to try
    

cover art sketches

see also: all about the book

Cover art by Dominic Harman

Dominic and I go back a long way, although it was some time before we actually met. Through the late 1980s and most of 1990s I was a regular short fiction contributor to the magazine Interzone (under my other writing name, "Keith Brooke"). And during that period Dominic was a regular cover artist for the magazine. When a collection of stories I'd written with Eric Brown was published, Dominic was the natural choice to provide the cover art and interior illustrations. Dominic also provided covers for a book I co-edited (infinity plus one) and an issue of Interzone I guest co-edited in 2002.

Puffin's invitation to Dominic to provide the cover art for Incubus was a pleasant surprise for both of us. Dominic liked the idea of the book and what might be done with the cover, but he didn't realise it was my book as he knew me by my other writing name. And when I learnt that Dominic was to work on the cover I was thrilled, as I've long admired his work.

I provided descriptions of the mysterious house-spirit, Hodeken, who appears in the book, and then answered Dominic's questions. He sent me some sketches of how he thought the character might appear and I then gave him feedback, as did the Puffin art department. Dominic refined his images until we arrived at the final cover.

Here's the first set of sketches:

Incubus sketches

Numbers 1, 2 and 3 were great, but far too fierce. Hodeken should be more of a well-meaning but mischievous and confused character. Number 4 was much closer and this was the version Dominic clearly preferred, too, as he used it to develop the full-colour sketches. I love the idea of him peering out of the shadows, which really summed up his role in the story. And in blue? I never saw him as blue, but ... somehow it worked! He still needed to be a bit more friendly-looking, though, so that you don't quite know if he's going to turn out good or bad.

On his preference for number 5, Dominic says: "I felt that to be the closest thing in my mind to your character. The first was too pig-like and the others seemed too Orc-ish. This is not to say that they were bad designs, but ultimately not quite right for this character. To bring out and sharpen the features so that they became slightly more witch-like helped make the character look more mischievous."

Incubus sketch

Here, Dominic has softened the edges and given Hodeken a dreamier, less wicked look. This seemed like a good idea at the time, but seeing it, I knew it just wasn't right. I think it's the nose. Hodeken doesn't have a nose like that.

Dominic was less happy with this version, too: "After the conversation I decided to soften the features of Hodeken but that didn't work out, which in some ways is good as we went back to the original version, and it re-affirmed our first decision that the initial look was the right one."

Dominic uses a mixture of traditional and cutting-edge computer techniques in his art: "I was working with pencil and then I scanned the pencil roughs onto the computer and so that I could flesh out the face in Photoshop with a basic airbrush tool. I used some scanned texture for part of the face and a few goat's teeth [from a goat's skull I have on my wall] it was important not to make Hodeken too horrific looking as Nick wanted the readers not to be sure if he is good or bad, so final adjustments to the face were made to bring a balance. I am pleased with the final illo - character design is really good fun. It would be great if a film was made of Incubus and we saw the character come to life on screen!"

Artists are among the few people who can have something like a goat's head on the wall and mention it in polite company.

Incubus final cover

And here we have the final cover. The version of Hodeken is closer to number 5 from the original sketches, but a bit softer, a bit quirkier. And he blends more into the textured shadows now. Puffin's designers have done a good job with the text, too: good strong lettering. I think this is the kind of cover that stands out from all the other books around it on a display, and you can't ask for much more than that.

To find out more about Dominic Harman, and to see more examples of his wonderful artwork, see www.dominicharman.com

see also: more info about the book
and
Incubus can be ordered through Amazon. It's also available at BOL, WH Smith's Internet Bookshop and other online booksellers, and all decent bookshops.

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